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FL Studio Soundpacks Flstudiosoundpacks.com is a great resource for Beat Makers and Musicians. Our Sound Packs and Hip Hop Loops are some of the best production tools on the internet and at a. FL Studio Soundpacks Flstudiosoundpacks.com is a great resource for Beat Makers and Musicians. Our Sound Packs and Hip Hop Loops are some of the best production tools on the internet and at a great value. Load the VST plugin in FL Studio 20. Finally, you need to load the plugin in FL Studio to actually begin using it in your tracks. Navigate back up to the “Add” section of the menu bar. Within the drop-down list of plugins, you should now see your chosen plugin. Simply click your plugin, and it will load into the FL Studio interface.
FL Studio is one of the most powerful music production tools around, with an array of synths and effects available right out of the box. But like most producers, you could probably use a few more plugins! Here we’ve put together some of the best free plugins for FL Studio, which should cover you for almost every imaginable musical scenario.
Sitala
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Sitala is a drum plugin that can also be used as a standalone app. Although it is about as simple a drum plugin as you could want, it will find a place in almost any project due to its musicality and highly intuitive interface. Sitala’s six knobs and sixteen pads encourage you to use it as an instrument, which results in more musical beats and grooves.
Best Features & Specs
Sitala features 16 assignable pads that should be familiar to anyone who’s ever used a drum plugin before. You can drag and drop your own samples right into these pads or use the factory kits that come with the plugin.
Sitala also includes an array of sound-shaping tools that lets you put your own stamp on your drum sounds. With features such as ‘Shape’, ‘Compression’, and ‘Tone’, recreating traditional drum beats or more experimental grooves is a piece of cake.
Bottom-line
Like the best free FL Studio plugins, the beauty of Sitala lies in its simplicity. We found that it lets you lay down grooves quickly, and the results are always musical. We especially like how the interface allows you to play it like an instrument.
Piano One by Sound Magic
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Sound Magic’s Piano One is reminiscent of the Yamaha C7 concert grand, which is highly revered by many professional piano players. Based on Sound Magic’s Hybrid Modeling Engine, Piano One combines the best qualities of physical modeling and sampling. The result is an amazingly rich and responsive sound that often felt like playing a real piano.
Best Features & Specs
Sound Magic’s Hybrid Modeling Engine does a great job of combining the realism of piano samples and the responsiveness of physical modeling. Unlike other modeled instruments, Piano One responds instantaneously, with no sluggishness or delay. The sound is reasonably rich and full-bodied, particularly when playing sustained low notes. The plugin even comes with an onboard reverb that simulates environment and soundboard resonance for added realism.
Bottom-line
Even with its limitations, Piano One is a pretty impressive piano plugin. If you need a range of basic piano sounds but don’t have the cash for a humongous piano library, Piano One is worth looking into.
TyrellN6 & Zebralette by u-He
TyrellN6 is based on the legendary Roland Juno 60, which is one of the most iconic analog synthesizers ever made. Users of the venerable classic will appreciate the simplicity and ease of use of this plugin, which lets you create deep bass, lush pads, and cutting leads with relatively little effort.
Zebralette isn’t based on any particular instrument. Rather, it is a teaser of sorts for u-He’s well-respected Zebra 2. It has the same great-sounding oscillator that is in Zebra, giving you a taste of what you could achieve with the more fully-featured product.
Best Features & Specs
TyrellN6 and Zebralette give you a pretty diverse range of sounds, from classic to cutting edge. TyrellN6’s classic architecture is the ticket to thick and lush vintage sounds, with noise and a ring modulator joining the two oscillators for extra flavor.
Zebralette is a more esoteric plugin that allows for the creation of more outlandish and experimental sounds. This is a great entry point into the sonic possibilities offered by Zebra 2, and we were thrilled to find that Zebralette patches can be opened in Zebra 2.
Bottom-line
TyrellN6 and Zebralette are compact yet powerful synths that will find a place in any modern production. Even if you already have some powerhouse synths in your collection, these two free VSTs for FL Studio are worthy additions.
Guitar M Lite II
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Guitar M Lite II offers studio musicians the crisp and authoritative sounds of the Martin D-41 acoustic guitar in a convenient software plugin. Developed by Ample Guitar, M Lite is a great way to add glistening acoustic textures to your productions, even if you don’t happen to have a guitar player handy.
Best Features & Specs
M Lite is a sample-based instrument that weighs in at just under 850 MB. It includes standard guitar articulations such as hammer-ons and pull-offs, palm mutes, and pops, allowing you to create surprisingly realistic performances. The plugin also offers Customized Parameters Control (CPC), which lets you add more expressive touches via MIDI CC or automation.
We especially like the plugin’s Strummer function, which allows for some pretty convincing strummed performances. Strumming is where most acoustic guitar plugins fall short as far as we’re concerned, so were pleasantly surprised to find it implemented so convincingly in a free plugin.
Bottom-line
Those with discerning ears aren’t likely to be fooled by M Lite. But if you need some rudimentary acoustic guitar parts for a mockup, this plugin will do very well in a pinch.
LABS by Spitfire Audio
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Spitfire Audio’s LABS has created quite a stir in the software plugins world, so we were eager to put it through its paces. At present, the collection already covers a pretty broad range of instruments, and more are being added all the time. And because each instrument is a labor of love by dedicated musicians and sampling experts, the results are consistently impressive.
Best Features & Specs
Each LABS instrument comes in the form of a dedicated plugin, rather than a library you load in a software sampler. We found the user interface to be focused and refreshingly straightforward, with easy to use controls for dynamics and expression. We also like the inclusion of a knob that can be customized for whatever function the user wants.
The LABS collection currently includes strings, guitars, pianos, brass, drums, vocals, percussion, synths, and experimental instruments. Although not quite as detailed as more extensive sampled libraries, we had no trouble making them fit into our productions.
Bottom-line
The LABS instruments are about as straightforward as plugin instruments can be. Even if you already have a collection of software instruments, you will probably find a use for some of these plugins.
Vinyl by iZotope
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iZotope has long been known for its excellent noise reduction and sound improvement plugins. So it was a bit of a surprise when the company rolled out a plugin that adds grit and dirt to audio. With Vinyl, you can dirty up your tracks with a healthy helping of dust, scratches, and mechanical noise, instantly giving them the character of a vintage recording.
Best Features & Specs
As the name implies, Vinyl makes tracks sound like they are being played from a turntable. Ideally suited for every stage of the production process, we found this to be the most convenient solution to get the authentic vibe heard on ’60s and ’70s recordings.
We like how you can control how much ‘pixie dust’ you can add to your tracks. Whether you need just a few cracks and pops, a touch of mechanical noise, or you really want to thrash your audio, Vinyl provides independent control over each element.
Bottom-line
Vinyl works on pretty much everything from drums and strings to full mixes. If your tracks are sounding just a bit too clean, this plugin will let you dirty them up in a few clicks.
Ozone Imager 2 by iZotope
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iZotope’s Ozone Imager 2 offers a quick and easy way to alter the stereo image of your tracks. Whether you need to widen a pad or string section or narrow down your bass and kick drums to fit into a mix, Ozone Imager lets you do so quickly and easily.
Best Features & Specs
The most obvious application of Ozone Imager is to widen an audio track. If you need your synth pad or string section to fill up the soundstage, Ozone Imager will get the job done without imparting any sonic anomalies that could make mixing a nightmare.
Ozone Imager provides two flavors of Stereoize: one lets you widen source audio with a cool phasing effect, while the other widens signals more subtly. The plugin also has three vectorscope meters that give you instant visual feedback on your stereo spread.
Bottom-line
Ozone Imager is a fairly simple plugin that is useful for mixing as well as creative experimentation. If you are struggling to make certain elements fit into a mix, this is one you can try out, of check out or list of other mixing plugins.
MAutoPitch
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MAutoPitch is a pitch correction plugin developed specifically for vocals and monophonic instruments. Simple and straightforward, it is nevertheless capable of producing great-sounding results that compare favorably to more expensive pitch correction plugins. It even has formant shift and stereo-expansion features that expand its capabilities as a creative audio production tool.
Best Features & Specs
Compared to many FL Studio plugins for free, MAutoPitch has quite an impressive user interface. It can be resized freely and has standard meters as well as time graphs. It also has sophisticated multi-parameter features such as mid-side and 8-channel surround processing. We particularly like the onboard safety limiter and the automatic gain compensation (AGC) features that keep levels in check.
All MAutoPitch parameters can be mapped for MIDI control and automation. This enhances the plugin’s value as a creative tool, making it more than just a “set-and-forget” processor.
Bottom-line
From subtle pitch correction to creative sound design, MAutoPitch does it all. If you do a lot of vocal work, this plugin is an essential addition to your toolbox.
Supermassive by Valhalla DSP
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Supermassive is only one of a handful of time-based plugins that form the bedrock of Valhalla DSP’s stellar reputation. The company’s delays and reverbs compare favorably to much more expensive plugins, and their features and capabilities are well known to producers across the globe. With Supermassive, the company once again proves its expertise in developing lush and exquisite sounding plugins, with a few more tricks up its sleeve.
Best Features & Specs
Supermassive is designed specifically to produce spacious and expansive delays and reverbs. Ideally suited for adding atmosphere to dry and lackluster productions, it sounds just as good when dialed down for more subtle ambiance.
Like all Valhalla DSP plugins, Supermassive is freely resizable, with precise controls for every parameter. It is based on a system of feedback delay networks, with each delay ultimately being processed by a unique WARP control. This allows you to produce everything from twinkling echoes to rich and deep reverbs and everything in between.
Bottom-line
Supermassive is easily a great VST for lush ambiance, even able to compete with our list of top VSTs on the market. Even if you already have a couple of favorite reverbs and delays, you will likely find yourself patching in Supermassive every time you need a unique atmosphere in your productions.
Pancake 2 by Cableguys
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Cableguys’ Pancake 2 handles a variety of panning and imaging functions in a slick and easy to use interface. Like all Cableguys plugins, Pancake 2 offers full control over the most useful parameters, giving you total control over your sound. You also have plenty of options to modulate the source audio as you wish, so you have free rein over your creative vision.
Best Features & Specs
PanCake allows you to set and forget the modulation depth and rate if you wish, although you could also draw in your own modulation curves. This feature is perfect for panning audio in time with the tempo or ramping up the speed for a buildup.
Of course, the plugin’s LFO can be set to sync to your host DAW’s tempo as well. Speeds from ¹⁄₁₂₈ notes to 32 bars are possible, giving you a wide range of movement options. The plugin also has a left/right display so you always know what is going on with your soundstage.
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Bottom-line
Like the other top FL Studio plugins out there, Pancake 2 can be as simple or as complex as you wish. Whether you need subtle movement in your tracks or you are looking for more intense panning functions, Pancake 2 is one of the best free plugins for FL Studio.
Producing music within the Electronic Dance Music or EDM genre can be rewarding, given the technical know-how that it demands, and the a little inspiration for that high energy level of the music.
This compels producers to need the right samples and plugins. But given the saturation of the plugin market today, finding the right plugins for the job can be a challenge.
But if you are looking for the best plugins for EDM, you’re in luck. Below you’ll find a list of some of the essential plugins found in the leading EDM producer’s toolbox.
This includes synths, bass, and mixing and effects plugins. Go ahead and check out our list of what we believe are the most indispensable tools for making EDM.
Native Instruments Massive X – [Synth]
Xfer Serum – [Synth]
Reveal Sound Spire – [Synth]
Loopmasters Bass Master – [Bass]
Fabfilter Pro-Q 3 – [EQ]
Fabfilter Pro L 2 – [Limiter]
FabFilter Pro C – [Compressor]
Audiority XenoVerb – [Reverb]
Soundtoys EchoBoy – [Delay]
iZotope Trash2 – [Distortion/Saturation]
Native Instruments Massive X
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Massive X is the much-awaited upgrade to the legendary wavetable synth of the same name released by Native Instruments in 2007. After being eclipsed by more powerful and recent plugins such as Serum, Massive makes a comeback with a beefed-up arsenal of features.
Features and Specs
Massive X only has two oscillators, which seems like a downgrade from the original Massive’s three. But don’t let that fool you: those two oscillators are packed with 170 wavetables, including revamped versions of favorites such as Scrapyard and Crusher. The number of wavetable modes available has also doubled from 5 to 10.
Moreover, apart from the two primary oscillators, three ‘analog’ oscillators are available for more modulation options. These oscillators can be used as insert effects.
Add to that the two noise generators which can conjure more than a hundred noise samples of all sorts. There is also a Voice section where up to six voices can be stacked.
Massive X only has one main filter, but it can be changed to one of the nine different types.
This plugin’s most impressive feature is its architecture. All of its components can be routed to one another, resulting in almost limitless capabilities. The signal path can also be done either in parallel or series.
Bottom-line
Needless to say, Massive X is a heavyweight. From the oscillators, filters, up to the sequencers and effects, the sheer scope of this plugin’s sonic power is something that any ambitious producer, may it be in EDM or trap, should want to have.
Demonstration
Xfer Serum
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We have already mentioned Serum, Xfer’s first entry into the softsynth market. Serum is another wavetable synth, making it the ideal workhouse for crafting any sound you would possibly need, from pads, leads, bass, to mind-bending drops that any EDM song worthy of the tag should have.
Features and Specs
Serum boasts 450 factory sounds which make it easier to dig in right after the hassle-free installation.
However, a closer look at Serum’s wavetable architecture reveals four sound sources: two wavetable oscillators, a noise generator, and a sub-oscillator. Each of the oscillators has 140 wavetables. We are particularly excited in the Warp menu which provides dramatic ways to change your waves’ character per oscillator.
There are a total of 90 filters of all sorts available to shape your sound. You can spice it up even further through the 10 effects module racks.
What is really striking about Serum, apart from the complexity of the plugin, is the clarity of the sound. This clarity is crucial to EDM producers who put sound quality at the top of their priorities. Even a single bass sound from Serum, if made cleverly crafted, will put to shame multiple plugins put together.
Bottom-line
Serum is beyond doubt a powerful and versatile synth that EDM producers should have. While the visual presentation of the plugin may be a bit intimidating, the endless possibilities available at your fingertips will make the learning curve easier to get over.
Demonstration
Reveal Sound Spire
See price @ Plugin Boutique
At first look, Reveal Sound’s Spire may look like just any other hybrid subtractive synth. But its user-friendly design provides easy access to its powerful oscillators, terrific waveshaping capabilities, and flexible modulation architecture. EDM producers will find a lot of use for this virtual analog synth.
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Features and Specs
Spire has four oscillators which, in our view, is already a sizeable number. Each oscillator has multiple synthesis modes and a selection of sample-based waveforms. Users can mix and match the sampled tones with these synthesis modes. As you can imagine, this system can yield more sounds than one can handle in a lifetime.
Spire also accommodates a sophisticated mod matrix, with 15 matrix slots, two possible sources, and four possible targets. There are also four envelopes and four LFOs available. These make sound construction with the Spire far from being simple.
Some users, however, expressed their frustration over the fact that the display only shows the name of the curves and not the shapes. This makes it difficult to visualize how the envelopes physically influence the shape.
Bottomline
In terms of sonic capabilities, Reveal Sound’s Spire delivers high-quality sounds. While there is certainly a lot of space for improvement in the UI front, it is a solid work tool for any EDM producer’s synth needs.
For other note-worthy VST plugins, you might want to head over to our article on top VSTs for audio production in general.
Demonstration
Loopmasters Bass Master
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A good EDM song, as in most four-on-the-floor genres, is measured by the quality of its bass. Loopmasters knows this very well, and it is evident in their monophonic jewel, the Bass Master. This plugin provides all your bass needs, from the synth level, layering, up to compression and the dynamic shaping stage.
Features and Specs
We have two oscillators at our disposal, a Top and a Sub. These two can be processed in parallel, so the Sub can retain a solid sound while the Top adds some expressiveness in the upper end.
Users can choose from the inventory of 217 sounds of different varieties, including analog samples to percussive one-shots.
These samples, however, are time-stretched and not multi-sampled. This saves CPU space but sacrifices some sonic details. For us, though, the difference between time-stretched and multi-sampled tones is almost negligible, especially for bass.
That is not the case with other types of samples, so you might want to check out our article on the top sampler VSTs as well if you use a lot of audio samples in your work.
There is a resonant filter as well as a pre-filter overdrive circuit. The filter can be modulated with an LFO and ADSR envelope. Further modulation can be done with the Mod wheel.
Finally, there are three layers or slots for effects which include Distortion, Stereo Chorus, and Reverb Send. There is also Compression available on the master track.
Bottomline
Bass Master may look pretty rudimentary, looks and architecture-wise, compared to more modern synths. But given its low CPU economy and its sound quality, it can be an essential tool when crafting a bass-heavy EDM track.
Demonstration
Fabfilter Pro-Q 3
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When FabFilter released Pro-Q in 2011, it took the audio production world by storm, cementing its status as one of the top FabFilter plugins. It revolutionized how equalizers can be analyzed with its unique curves, insightful analysis features, and excellent sound-shaping power. Its third incarnation, Pro-Q 3, has ‘dynamic equalization’ as its primary feature. Since its release, modern production has never been the same.
Features and Specs
Dynamic equalization in Pro-Q 3 allows frequency-dependent processing. This means the attack, release, and ratio in each of the bands are fully automated according to Pro-Q 3’s intelligent frequency analysis algorithm. Of course, you can turn off the automation if you choose to do so.
EQ matching is another important feature in Pro-Q 3. It allows multiple instances of the plugin to communicate and spot possible collisions in the spectrum. This can save you a lot of time manually looking for collisions. As an EDM producer, this tool is crucial to achieving a clean and razor-sharp sound.
Also worth noting are the plugins’ unique curves such as the brick wall filter slope and the flat tilt slope. The latter, for example, allows users to zero-in into a frequency and then boost or cut incrementally from that point. It makes boosting and cutting a lot more precise and tidy.
Bottomline
FabFilter Pro-Q 3 is more than an equalizer. Once you grasp the full extent of its capabilities, it can become a reliable companion for any EDM producer. Truly an important tool if you want a professional-sounding mix.
Fabfilter Pro L 2
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If you are wondering what is the best VST for EDM when it comes to compression, look no further than FabFilter’s Pro L 2. A complete studio limiting tool, it has all the functionalities of a limiter made for advanced mixing and mastering purposes. EDM producers who prefer to mix and master their own tracks will find this a valuable instrument.
Features and Specs
Pro L 2 has eight limiting algorithms, each with its unique flavor and approach to processing your sound.
Four new algorithms have been added in Pro L 2: Modern, Safe, Aggressive, and Bus. EDM producers would find Modern and Aggressive to be the most useful, as they were designed to add the punch that we expect from EDM tracks. The Bus algorithm adds coloration and is, therefore, the least transparent option, although it may be great for drums or a parallel signal.
It also has external side-chain inputs. This makes it possible to individually apply limiting to your stems while using the full mix as the trigger. Thus, each stem can be exported on their own as if they are already limited. We can then sum it all up and come up with a mix-down that reflects the limited signal.
Users can also engage the Unity Gain option to know how the limiting affects the sound without necessarily increasing the level.
Bottomline
Pro L 2 is a complete limiting suite that is flexible enough for a wide variety of uses. Its features are more than enough for an average mixing project. Therefore, mastering engineers may find it more useful for their needs. If you’re an EDM producer who mixes and masters your own projects, Pro L 2 is a must-own.
FabFilter Pro C
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FabFilter’s second release for their Pro suite, the Pro C compressor, is not just a regular compressor. Combining UI savvy with intuitive design and compression know-how, EDM producers will be delighted when using this plugin for their mixes.
Features and Specs
Pro C has eight compressor models, five of which are new. Namely, these are the Mastering, Pumping, Bus, Punch, and Vocal models.
The Mastering model is subtle and transparent while Pumping, as the name suggests, is for making those classic EDM side-chain pumps. Feeding it a side-chained kick must be par for the course.
Bus and Punch add color and tonality to the entire mix. Finally, the Vocal model is a dynamic compression algorithm with automatic knee and ration, useful for those hard to tame vocals.
Visually, Pro C 2 has none of the gimmicky analog-esque UI. We have a waveform visualizer coupled with a gain reduction graph that shows exactly how the compression affects the signal. Its no-nonsense interface is perfect for those who simply want to get the job done.
Bottomline
Intuitive, easy to use, and overall a solid compressor, Pro C 2 is a compression workhouse. EDM producers will find some of the models particularly useful. This makes it one of the best VST plugins for EDM out there in our opinion.
Audiority XenoVerb
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Dubbed as a “multiple algorithm reverb processor,” Audiority’s Xenoverb is a versatile reverb unit. Thanks to more than ten switches and parameters, users can craft every sonic space of their liking with this plugin.
Features and Specs
The plugin has eight primary parameters: Pre-Delay, Diffuse, Time, Modulation, Tone, Bloom, LF Cut, and Mix. Below them are three switches, Active, Freeze, and Limiter.
The Freeze function is particularly interesting as it enables the creation of a loop in the internal buffer. Users can come up with wild and unnatural reverb spaces with this function.
Inside Xenoverb are ten reverb algorithms, each of which has its characteristic flavor. These are Room, Hall, Plate 1 and 2, Springy, Glass, Flow, Shimmer, Bode, and Formant.
Some of these such as Room, Hall, and Plate 1 and 2 are basic reverbs. Shimmer and Flow, however, incorporates dual pitch shifters and thus opens up space for some crazy harmonies. Bode and Format are great for eerie sound design purposes.
Users are raving about Xenoverb’s superb diffusion algorithm, particularly on how it maintains density across time. This is a testament to the genius behind its programming and spatial modelling.
Bottomline
Best Edm Vst Plugins
Xenoverb is a very versatile reverb plugin. Regardless if you are looking for a simple room reverb or an otherworldly glacial effect, Xenoverb can carve our that space for your sound. The icing on the cake is that the plugin has a low CPU footprint.
Soundtoys EchoBoy
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Shipped as a “classic echo effects” plugin, EchoBoy separates itself from the others with its creative approach in building echo effects. From saturation levels, rhythmic possibilities, even to the UI interface, this plugin has more to offer than your standard echo unit.
Features and Specs
A cursory look will reveal EchoBoy’s classic, “old-school” aesthetic. But it is by no means a simple plugin. Aside from the basic parameters, users can change Echo Time in milliseconds, add Saturation, and even prevent phasing through a nifty switch called Prime Numbers.
Particularly arresting is the middle section where users can play around with the rhythmic aspects of the effect. There are two knobs, Groove and Feel. /fl-studio-free-80s-synth.html. Groove lets you manipulate the echoes’ Shuffle and Swing to taste. Feel lets you shift between Rushin’ and Draggin’ (a small Whiplash reference) to shift the echoes earlier or later than the input signal.
Moreover, there is a bottom knob that lets you choose between the plugin’s four modes: Single, Dual, Ping-Pong, and Rhythmic.
Bottomline
Given how many echo and delay plugins are already out there, Echoboy manages to bring something new to the table with its playful manipulability. Overall, Echoboys charm lies not only in its sounds but also in how it encourages users to be creative in making their echo patterns.
Demonstration
iZotope Trash2
See price @ Plugin Boutique
EDM producers who prefer it down and dirty were excited when iZotope released Trash, their flagship distortion plugin. With Trash 2, the company introduces more sophisticated architecture, a new convolution set-up, and generally a more powerful wave-shaping capability.
Features and Specs
What makes Trash 2 special is its modular architecture, now made more powerful in Trash 2. Aside from the twin-stage distortion module, other modules include Filter 1, Filter 2, Convolve, Dynamics and Delay. Signal flow between these modules can be modified through the Graph page.
Aside from the new distortion algorithms, users can choose between seven preset categories, namely, Distort, Drive, Faulty, Fuzz, Heavy, Retro and Saturate.
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We also need to mention the Convolution module which includes 50 new impulse responses. This allows for a wide range of distortion shapes which can be further manipulated through stereo effects.
Bottomline
Trash 2 is incredibly powerful, and EDM producers will find limitless ways to add grit of all sorts to their sounds. Tasteful distortion is part and parcel of any EDM track, so investing in a versatile unit such as Trash 2 is a necessity for any producer.
Demonstration
BONUS: Celemony Melodyne
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When Celemony’s Melodyne hit the market, it changed the way audio engineers saw audio. After all, being able to change an audio’s pitch after recording solves a lot of studio problems and opens up many possibilities. EDM producers working with a lot of audio recordings will find Melodyne extremely useful, and even life-saving when another vocal take is impossible.
Features and Specs
Armed with Celemony’s DNA Technology, Melodyne’s primary use is to correct pitching mistakes. But it can also be used for more creative purposes. Melodyne 4, for instance, allows users to choose between multiple analysis algorithms and apply changes to other aspects of the audio such as timbre, tempo, etc.
Each of these algorithms treats the audio signal differently. For instance, Polyphonic Sustain can be used for signals that have slow or blurring attack notes.
Another algorithm called Universal allows users to enact convincing time-stretching and time correction on their samples.
Many users praise Melodyne’s “musical” approach to rhythmic analysis. It can extract rhythms not only from drum-heavy samples but also from samples that do not have percussive instrument keeping time. This enables producers to fix not only pitching issues but also rhythmic issues in soloed samples.
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Bottomline
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EDM producers dealing with a lot of audio samples will find a lot of use for this powerful plugin. Melodyne also opens up many creative opportunities aside from its reliable problem-solving capabilities. Ready for some challenge? You can try your hand using Melodyne on these EDM sample packs now.